• Facts
  • About
  • Biography
  • Email

• Books
  • Gilles Rotzetter
  • Jean Freeman Gallery
  • Martin Brief
  • The Early Show

• Art Criticism
  • Aïda Ruilova
  • Andy Warhol
  • Angel Otero
  • Anna Betbeze
  • Annie Lapin
  • April Gornik
  • Art Three By
  • Barb Choit
  • Canceled
  • Charles Lutz
  • Charles Lutz (C24)
  • Christopher Wilmarth
  • Cindy Sherman
  • Cordy Ryman
  • Dan Flavin
  • David Hartt
  • Dennis Oppenheim
  • Design ≠ Art
  • Do You Like Stuff?
  • Eddie Martinez
  • El Museo’s Bienal: The (S) Files
  • Emma Bee Bernstein
  • Guillermo Creus
  • Henri Matisse
  • Heyd Fontenot
  • I Like the Art World and the Art World Likes Me
  • Jane Fox Hipple & Robert de Saint Phalle
  • Jay Shoots & Tom Jimison
  • Jennifer Bartlett
  • Jenny Saville
  • Jim Herbert
  • Johann Eyfells
  • John Houck
  • Kate Gilmore
  • Kilian Rüthemann
  • Laleh Khorramian
  • Laurel Nakadate
  • Laurent Montaron
  • Lawrence Weiner
  • Laylah Ali
  • Louise Despont
  • Maria Walker
  • Matt Freedman & Matt Marello
  • Monika Sosnowska
  • Nicola López
  • Norman Lundin
  • Oh, Canada
  • Outsiderism
  • Paul Pfeiffer
  • Queens International 2004
  • Rico Gatson
  • Robert Barry
  • Robert Smithson
  • Ross Racine
  • Ruby Sky Stiler
  • San Diego and the Origins of Conceptual Art
  • Santiago Calatrava
  • Sebastian Black & Robin Cameron
  • Sharon Core
  • Social Democracy Revisited
  • Suara Welitoff
  • The Making of Americans
  • Three Generations of Mexican Masters
  • Vandana Jain
  • Wade Guyton
  • Wall-to-Wall Drawings
  • White Matter(s)
  • Willie Cole

• Talks
  • Art Criticism in the South
  • Artists’ Publications in the 1960s
  • Cui Fei Interview
  • Dennis Oppenheim: The Assembly Line
  • Decentered Art World (Ljubljana)
  • Decentered Art World (Zagreb)
  • Did You Read That? Art Editing on the Web
  • Jean Freeman Gallery at Book Culture
  • Jean Freeman Gallery at Spoonbill Studio
  • Publishing Art History Digitally
  • The Slowest Kinetic Artist
  • Talk with the Critics
  • Translation in the Age of Cybernetics
  • Well Read Curator’s Talk
  • Writing for Socially Engaged Art

• Exhibitions
  • Enantiomorphic Chamber
  • Hybrid Jungle
  • The Early Show: Video from 1969–1979
  • The Most Curatorial Bienniel in the Universe
  • The Pursuit of Happiness
  • Well Read

• Curatorial Proposals
  • Art That Looks Political
  • Home Improvement Center
  • Viscera
  • Withheld

• Book Reviews
  • Ana Mendieta: Earth Body
  • Bas Jan Ader: In Search of the Miraculous
  • Natura Pictrix
  • Recording Conceptual Art

• Press Releases
  • Alejandra Seeber
  • Alvin Baltrop
  • Anthony Patti
  • Avelino Sala
  • Brody Condon
  • Charlene Liu
  • David Palmer
  • Duncan Wylie
  • John Powers
  • Kensuke Koike
  • Markus Hansen
  • Maya Bloch
  • Nancy Brooks Brody
  • Nicholas Touron (Happening)
  • Nicolas Touron (Kingdom)
  • Replicant
  • Shih Chieh Huang
  • Tristan Fitch & Sharon Ascher
  • Without Sun
  • Xavier Deshoulières

• Interviews
  • Alan Gilbert
  • Anjali Gupta
  • Anne Collins Goodyear
  • Artist in the Marketplace
  • Dave Hickey
  • Dennis Oppenheim
  • DeWitt Godfrey
  • Ellen K. Levy
  • Elizabeth Pulsinelli & Stacey Allan
  • Irving Sandler
  • Jackie Battenfield
  • James S. Ackerman
  • Karen J. Leader
  • Lawrence Rinder
  • Mary Miller
  • Matthew Israel
  • Paul B. Jaskot
  • Sheryl Reiss
  • Strategic National Arts Alumni Project
  • Thomas Lawson

• Features
  • Art/Work
  • caa.reviews at Ten Years
  • Centennial Case Statement
  • Performance Space Orlando
  • Ruth Bowman

• Music & Bands
  • Boss Hog
  • Casio Shack
  • Civic Minded Five
  • Claimjumper
  • Don Caballero
  • Emperor Moth
  • Ghost Exits
  • Harry Pussy
  • Mark Hodgson & hblues.com
  • Isotope 217
  • June of 44
  • Melvins
  • Olivia Tremor Control
  • Jon Rose
  • Royal Trux
  • Silver Jews
  • Trans Am

• Album Reviews
  • Add N to (X)
  • Arcwelder
  • Aluminum Group
  • Autechre
  • Beck
  • Big Fish Ensemble
  • Big Swifty
  • Bikini Kill
  • Björk
  • Boredoms
  • Boss Hog
  • Cakekitchen
  • Virginia Dare
  • Miles Davis
  • Dead C
  • Einstürzende Neubauten
  • Fix Your Wagon
  • Flying Luttenbachers
  • For Carnation
  • Free Kitten
  • Ghost Exits
  • Giant Man
  • Gibson Bros.
  • Go-Devils
  • God Is My Co-Pilot
  • Hoover
  • Jesus Lizard (Bang)
  • Jesus Lizard (Fly on the Wall)
  • Klezmer Festival 1998
  • Kool Keith
  • Lungfish
  • Mellow
  • Melvins
  • Mills and Nebraska
  • Natural History
  • Negativland/Chumbawamba
  • New Radiant Storm King
  • Nice
  • Oranj Symphonette
  • Jim O’Rourke
  • Pain Teens
  • Palace
  • Palace Songs
  • Pavement
  • Iggy Pop
  • Lee Ranaldo & William Hooker
  • Reach the Rock
  • Red Red Meat
  • Royal Trux (Cats and Dogs)
  • Royal Trux (3-Song EP)
  • Royal Trux (Twin Infinitives)
  • Royal Trux (Veterans of Disorder)
  • Rustbucket
  • 764-HERO
  • Shellac
  • Smog
  • Elliott Sharp: Tectonics
  • Squarepusher
  • Stereolab
  • St. Johnny
  • Thinking Fellers Union Local 282
  • 33.3
  • Trans Am
  • Tribalbilly
  • Tribes with Knives
  • John Trudell
  • Uncle Joe's Big Ol' Driver
  • Vibes
  • Violent Femmes
  • Vue
  • Ween
  • ZZ Top

• Live Reviews
  • American Analog Set
  • Hooverphonic & Snowpony
  • Imperial Teen
  • June of 44
  • Olivia Tremor Control & Elf Power
  • Pavement
  • Smog
  • Tokyo/New York Noise Festival
  • ZZ Top

• Projects
  • Enantiomorphic Chamber
  • Global Warming Your Cold Heart
  • In Terms Of

Uncle Joe’s Big Ol’ Driver
Uncle Joe’s Big Ol’ Driver
Headhunter/Cargo

Uncle Joe’s Big Ol’ Driver is pop punk a là Social Distortion, Mudhoney, and Urge Overkill, only with less sophisticated songwriting skills, because all the tunes essentially sound the same.

Originally published in Ink Nineteen in May 1994.